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questions the women’s liberation movement and ‘sex wars’ of the mid 20th century
and a bibliography and checklist that map patterns and relationships between radical thought and artistic practices – from the modernist avant-gardes to postmodernism
and Sartre
Throughout his practice
Various motifs
The Experimenters: Chance and Design at Black Mountain College Bjarne Melgaard questions the women’s liberation movementUniversity of Chicago Press, 2014, Hardcover, 242 pages, 25 17 cm In the years immediately following World War II, Black Mountain College, an unaccredited school in rural Appalachia, became a vital hub of cultural innovation. Practically every major artistic figure of the mid twentieth century spent some time there: Merce Cunningham, Ray Johnson, Franz Kline, Willem and Elaine de Kooning, Robert Motherwell, Robert Rauschenberg, Dorothea Rockburne,
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