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and gelatin silver formats—focusing on his avant-garde
Born into a working-class Irish-Catholic family in Widnes
Bleiler's Introduction dated 1958
and authors who played a foundational role in establishing photography as an academic and artistic discipline
It shifted the focus away from the "decisive moment" of street photography (like that of Cartier-Bresson) toward a "calculated moment
Callahan, Harry. "Harry Callahan: An Interview" by A.D. Coleman in New York Photographer, Issue 4, January 1972, pages 3-6. Signed Copy and gelatin silver formats—focusing onCallahan talked about himself, his work, other photographers, his Rhode Island School of Design faculty colleague Aaron Siskind, and teaching. Entire issue, 18 pages, also includes survey of galleries; calendars of exhibits, classes, and workshops; reviews of shows by Edward Curtis, Roman Vishniac, Brassai, etc. Cover photo by Edward Curtis. Scarce magazine in the early years of the emerging New York photography scene of the 1970s. Good with signs of